Over the weekend Sue Jones posted a long question about the Shift Time blogging project entitled Is Shrewsbury Talking? prompted by the absence of posts on this blog over the week of the festival and questioning the purpose of the project and the commitment given to it.
I’ve written a (quite long) reply in the comments on her post answering some of her questions and hopefully explaining where the project came from and what its aims are. As I say there I’d welcome any thoughts, comments and questions you might have. You can leave them in the comments here, write them on your own blog (leave the link to your blog post in the comments) or if you want to pick up on something in Sue’s post feel free to join in there.

Having talked to Feng-Ru’s experienced technician David Thomas, we had allayed our minor concerns over the performance pens, this being a very different event to what the sheep are used to at agricultural shows. We discussed our worry over having Theo Jansen’s amazing strandbeest Umerus as our neighbour for the weekend, that the rustling noises and movement would perturb the sheep from the as-normal-as-possible sheep actions that Milee will mimic (for up to three hours!) and that, realistically, if both performances were simultaneous that concentration would be hard for observers. I’m sure a solution will be found: fortunately the venue is a good size.



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