From the blogs over the last week:
Monday
Martin is in a “reflective mood” after the debates on Sunday.
Sue Tortoise rounds up her experiences over the weekend with thoughts on Blue Eyed Soul’s TAKE, Umerus, Shift-Life and the speakers at Blast Off.
Sam Moore posts a couple of photos from the Shift-Life project she did the character designs for.
Steve Green recounts his weekend taking photographs around the park which you’ll find in this set.
Blue Eyed Soul thank the photographers who recorded TAKE on Saturday.
Lorna interviews Moya about Blue Eyed Soul for Virtual Shropshire:
Wednesday
Gekko reviews TAKE with photos.
Martin visits ELF at the Shrewsbury Museum and Art Gallery and finds “not a glimmer of life”.
Gekko announces she’s started a blog for the sheep that participated in Feng-Ru Lee’s performance: Marmont Jacobs, Montgomery, Wales.
Umerus moved to St Mary’s Church drawing much attention and Martin followed its journey with his video camera.
Pride Hill from Martin Smith on Vimeo.
And here it is in the Church:
Thursday
Sue interviews the creators of In Praise of Darwin’s Mistakes, the first part of The Weather Man trilogy.
Friday
Martin is still thinking about Kevin Warwick’s talk on Sunday about upgrading his body. He needs more RAM.
Jess from Blue Eyed Soul reflects on their performance of TAKE with some “backstage” photos.
Saturday
Gekko reviews Opera North’s The Weatherman and other events and pronounces it “an amazing day”.
Sunday
Sue writes with great detail about the science and philosophy underlying Theo Jansen’s work. Recommended reading.
Monday
Gekko reviews Heresy the installation by Andy McKeown and Sue Challis.
Finally…
Sue notices the sparcity of posts on this blog over the week and asks what’s going on with this project. I’ll try and answer that in the next post…

Having talked to Feng-Ru’s experienced technician David Thomas, we had allayed our minor concerns over the performance pens, this being a very different event to what the sheep are used to at agricultural shows. We discussed our worry over having Theo Jansen’s amazing strandbeest Umerus as our neighbour for the weekend, that the rustling noises and movement would perturb the sheep from the as-normal-as-possible sheep actions that Milee will mimic (for up to three hours!) and that, realistically, if both performances were simultaneous that concentration would be hard for observers. I’m sure a solution will be found: fortunately the venue is a good size.



Recent Comments